TOPICAL WYD POST YEAH!

Things that I like about World Youth Day:

  1. Driving down George St last night, there was a group of pilgrims sitting down outside a bar (I know, right? Shouldn’t they be outside Gloria Jeans?) singing a really loud and precocious happy birthday ditty to one of their brethren. It was enthusiastic and loud and hilarious, they were stomping around and waving their arms like the rapture had come, and people were coming out of their restaurants and souvenir shops and XXX adult only shops to gawk and smile and scuttle away when they had eye contact foistered upon them by enthused sandalled Germans.
  2. The fact that you can spot an otherwise not so obvious religo by the great garish lanyard they have to wear. I haven’t got close enough to a pilgrim yet (GIVE. ME. TIME) to see what’s written on it, but it looks like an entire registration document with name, D.O.B, favourite saint, stance on gay marriage (a sliding scale of possible stances including Opposed, Dead-Set Against, or We’re Enacting Civil War Against California).
  3. I just freaking love South American people and they are EVERYWHERE.

Things that I don’t like about World Youth Day:

  1. Stupid people like me who don’t read the guide to the festival and decide to drive to the Art Gallery on Tuesday night.
  2. That person who probably died in an ambulance stuck behind streams of traffic on Elizabeth St.

But otherwise TOTALLY COOL WORLD YOUTH DAY YEAH SUCK IT UP NON-BELIEVERS, WE CAN BE HAPPY AND COOL AND STILL LOVE GOD, I DON’T CARE IF YOU SAY IT MAKES US LAME AND VULNERABLE TO TEEN PREGNANCY AND STDS, WOOOO!

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An open letter to those peeps who were in front of me at the Powderfinger concert last night

Dear peeps,

You didn’t ruin the concert for me. That would be impossible, when there was Bernard Fanning and pretty lights and I had pre-emptively dressed in thin layers so I didn’t get too hot, and with Anita’s witty analogy of “not having seen the Sex and the City movie yet is, for me, like forgetting to visit really good friends from overseas who’ve been in Australia for a week and even though they’re really good friends I just haven’t seen them; it’s just like that”.

But, peeps, despite the fact that the concert was totally awesome, you imbued our night with a sense of rage and frustration, peppered with a sticky glaze of pretending to be civil to each other, despite the fact that inside our head we were going “DIE BITCH, DIE!!!!!!”

Let me start from the beginning.

You know those nerds who get to concerts early? We were part of that group. We left my house at 6.30 and drove, swearing, around the back streets of Enmore to find a park, and talked about British comedy shows, and tried to touch-park unsuccessfully once and then successfully once, though that motorbike was wearing his welcome pretty thin.

We got into the Enmore at 7.00 and took our place on ‘Dancefloor 2’, also known as ‘If you guys were real fans you would’ve camped out overnight for tickets and been given a spot in Dancefloor 1, where the cool peeps and moshers are, not Dancefloor 2 where there are aggressive drunk guys wearing bucket hats’. There was a big metal frame thingy separating us from The Hoity Toits, and so we flocked to the front of the barricade, hoping to rest our chins adorably on the cold, cold surface until we won over Bernard’s heart, a bit like a homeless puppy who you don’t realise has worms, or the neighbour’s cute cat which slashes your neck open with its claws. We found a bit of space on the right…a space big enough for four people distributed somewhat confusingly between two very grumpy looking women.

After ten minutes of unsuccessful edging forward, I put on my winner’s smile.
“Excuse me, do you mind if my friend and I squish in next to you?”
“We’re saving this for a friend”
“Oh.”
“Sorry.”
“That’s OK…it’s just…we’d like to stand there and your friend isn’t here and the support act is about to come on”.
“She’s coming.”
“It’s just…”
Uncomfortable silence as we stare each other down and neither of us backs down.

So that was that. I decided if we couldn’t take the spot alongside them, I’d smoke them out of their warren of bitchiness by standing as close behind them as possible and whooping gustily into their ears whenever Powderfinger rocked out particularly hard (HINT: DID NOT HAVE TO WAIT LONG). They then, in revenge, tried this new thing of putting their bags in front of them and leaning over them with their feet further back TO TAKE UP EVEN MORE OF MY PERSONAL SPACE. This was uncool and I made them feel it by dancing giddily against them and singing along tunelessly to every song. Eventually, their friend came; she didn’t even seem such a good friend of theirs, and she stood with them for a while until she decided that it maybe wasn’t fair for her to DESERT HER DATE BECAUSE SHE HAD A BETTER SPOT RESERVED so she disappeared. Heartless beast.

And suddenly…this free space, suddenly vacated, disappeared again. These women managed to engulf it using only a sense of rage and their own black hole of unhappiness. They still managed to huff about how crowded they were, and how “this is weird to get used to…I haven’t been to a concert since Yr 11 when I saw Alanis Morisette”.

And there it was. That explained it all. IT HAD BEEN SO LONG SINCE THAT CONCERT IN YEAR 11, AS THEY WERE CLEARLY IMPOSSIBLY OLD AND UNTRENDY, THAT THEY DIDN’T UNDERSTAND HOW TO HAVE FUN AT CONCERTS. They were watching the music joylessly, with sour puckered mouths, playing listlessly with their hair, frowning at Bernard’s LOL-worthy jokes about Queensland sportsmen being better than New South Wales sportsmen. For some reason, these women who were not entirely invested in the band, in the concert, in moving and singing and having fun, had decided they needed to be in the spot CLOSEST TO THE STAGE AS POSSIBLE ALBEIT STILL IN DANCEFLOOR ‘THE LAME ONE’ 2. They felt this and they felt so strongly about it; about saving spots and squishing people out and stretching their legs all the time so they squashed my toes, they felt like this even though they WERE NOT ACTIVELY PARTICIPATING IN THE MERRINESS OF THE CONCERT (and yes, I know those of you who’ve been to concerts with me know that I have a particular definition of ‘actively participating’, mainly involving shaking my head, arms and feet around like I just don’t care).

But I was unimpressed and I told them so as I hurried off after the concert, clutching my bag and lasering demon-stares into their masculine plaid-encased backs. I told them so visually…while smiling politely at them…and saying ‘sorry I think I bumped into you’…but I’m so sure they TOTALLY FELT IT.

I just remembered this was supposed to be an open letter. It isn’t really one anymore. I hope you’ve learnt something about disappointment, Enmore-hags.

The end.

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Unforgivable

There are a few things that are unforgivable. Animal abuse. Giving frontages to people in a really long queue. World War II.

And now I’ve committed an unforgivable of my very own. I have NEGLECTED my BLOG.

It’s been a while, hasn’t it, and that’s really REALLY unforgivable, to neglect my dedicated readers like that. I know I have at least two dedicated readers, and sometimes more if I subtly mention to my housemates that I’ve recently updated my blog; a small little covert peep of a mention, something like “OOH, it’s really exciting pressing ‘Publish’ on the post that I just wrote for my blog. I love the WordPress interface, it makes it such a nice URL, the URL of themadworld dot wordpress dot com, it’s so easy and nice to type into your internet explorer bar, I would like to do it RIGHT NOW. Hey fuckwits, read my blog.”

Just like that.

I promise I’ll be back to form soon, with even more pith and wit and merriment. But not right now, I’m busy with serious and important things like making mailing lists in landscape instead of portrait mode, and scratching mauve nail polish off my fingernails and trying to make myself start wearing earrings again. I’M GLAD YOU UNDERSTAND, THANK YOU. 

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What I Would Assume to be a Cicada’s Inner Monologue

I just…want…to be loved…tonight.
A cicada of my very own.
Is that so much to ask.
I just really
Really
Want to
Be
OH.
Hell-lo!

 

*silence*

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Lil Matty: a response

YOU ARE A RETARDED PIECE OF SHIT PSEUDO INTELLECTUAL WHORE.

Wah-hey! What a nice start to my morning!

It seems, ladies and gents, that I have a blog troll, the first sign that my strain towards world domination is finally bearing some fruit. Someone cares enough to read and gnash and write and call me a whore and even spell ‘pseudo’ correctly.

I don’t know a lot about this fan of mine, except his name is Matt, apparently, and he has a Singapore-based internet service provider, and that he has a slightly lesser-known email domain name of jessisgay.com. If I ever decide to change my sexual orientation I can’t wait to leap onto that little vessel of identity disclosure, something along the lines of “i_seriously_am@jessisgay.com” or “why_dont_you_believe_me_mum@jessisgay.com” or after_all_i_do_love_tori_amos@jessisgay.com.

But Matt, dear Matt, lil Matty, there were a few problems in your diatribe which I think best we clear up immediately so we can jump back onto the forgiveness train and chug along happily into Bygones Land.

For example, if you knew anything about my weeping mess of a love life you’d certainly not call me the last bit.

The retarded call – well that smarts, Matty, especially because of my theory that I ACTUALLY AM RETARDED, that my family and friends have been hiding it from me all my life, that I’m their little pity-friend who they take to left-wing rallies and book-signings to snag the eye of the spunky boho guy in the third row. If you saw most photos of me, you’ll know what I mean. (And clearly you did, Matty, because you seem to have found all google-images photos of me that were immediately discoverable and commented on them).

And finally, the ‘pseudo intellectual’ bit. Listen, Matty, I didn’t sit through 3 and a half years of a 3-year Arts Degree to be called pseudo-intellectual. What a fucking insult. How can you call me that? I am insulted when called anything lesser than a Theoretician of Junk Culture. I am an expert when it comes to Lindsay Lohan’s rehab troubles, Drew Barrymore’s boyfriends, Mariah Carey and Madonna’s ratings wars and Justin Timberlake’s relationship with Jessica Biel. HOW DARE YOU EVEN SUGGEST I AM AN INTELLECTUAL, even if only a pseudo one, I SPIT AT THE WORD, and then I go back to reading Famous magazine and writing essays on how Little Britain is the forefront of 21st Century political criticism.

“”i went to university and read a lot of BULLSHIT by LOSERS and now i AM ONE and WRITE IT too!!!!” —an ugly minger who everyone hates!?!?! perhaps!?!?!?”

It’s true, Matty, I had to read a lot of bullshit by losers, and now I am indeed one, and I write a lot of bullshit too. For example, once I wrote the following in an essay:
“It was through this careful manipulation of theatrical artistry that Garrick was able to increase the status of his theatre, his actors and his self. For example, the latter can be illustrated in the fact that, through better lighting, it became easier for the audience to see the “kaleidoscopic virtuosity” of Garrick’s facial expressions and hence appreciate his diversity as a performer. People could therefore see and understand, as Diderot has expressed, the ability of Garrick’s visage to move “successively from wild delight to temperate pleasure, from this to tranquillity, from tranquillity to surprise, from surprise to blank astonishment, from that to sorrow, from sorrow to the air of one overwhelmed, from that to fright, from fright to horror, and thence…up again to the point from which he started”.

That’s right, Matty, I used the word ‘visage’ instead of ‘face’, and I also dug up an old essay where I used the word ‘acquiescence’. That kind of thing just isn’t cool.

Matty, are you one of my old lecturers?

Matty’s next comment was to “support free speech and leave these up you stupid bitch”. Good point Matty, free speech is something I have dealt with thoroughly in my study of Comedy of Cruelty and the socio-political resonance of the Doug Anthony All Stars. Matty, I am more than happy to approve your comments if you write them with your full name and email address. Do it, Matty.

Matty wrote a little more about my relationship with Westfield, and he did pick up on the fact that it was a relationship of constant flux, one in which both participants are slightly unsure of each other, a relationship like friendless five year olds deciding to slum it with the other loser in the playground so that they have someone to play handball or pogs or yoyos with. It’s just like that, it’s complex and shifting and slippery, a bit like the definition of postmodernism, and something I’d probably write an essay about if I was still doing an Arts degree, but unfortunately I’m finished now, I’m not a pseudo-intellectual Arts-degree minger who everyone hates; I’m just a regular old minger who most people hate.

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People on buses (spinal shudder)

The problem with buses is not that they’re slow, or late, or that the windows are always either jammed open or jammed shut but nothing in between, so you either sweat like a rapist the whole trip, or have to clench your hands over your ears to stop the wind whistling a path up to your brain.

No, the problem with buses is the general flotsam and jetsam who take the bus with you. People who fall asleep with their mouths open, or take more than half of the seat you are sharing, bus drivers who have Love or Hate prison tatts, and then regular old crazies who decide to talk as loudly and bitchily as possible in the hopes of engaging some poor hopeless norm in conversation. Things like “Ooh, that was a tight corner” to “How does the blind guy get around, it’s amazing” to “this bus driver can’t fucking drive”.

Let me just say something to you, Crazy. First of all: I’m also really impressed by the self-sufficiency of the blind guy, what a totally rad dude, such respect, and Second of all: SHUT UP, the bus driver can totally hear you and do you know how MEAN that is? You probably don’t; you probably have no idea just how hurtful your words are to our poor bus driver. Because even though he has totally fierce prison tatts, he’s not a criminal, he’s a real man, he probably only went to jail for one of those victimless crimes like shooting a lawyer or shaking a baby. So as I was saying, Crazy, you have no idea about when your actions might be cruel, because you’re a Crazy.

This leads me to my final illuminating subpoint: why are crazy people so rude? Because if they were nicer, we’d call them eccentric. Cram that thought down your throat and smoke it, READER.

I love how this entry makes me sound like the sort of person who rides buses when it reality I am NOTHING LIKE YOU.

Ouchie.

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Things I Do When A Camera’s Around

  • Not notice it and end up in a background shot, either scratching my head or gazing dumbstruck into the mid-distance, biting my nails or playing with my split ends.
  • Have some lame, ugly, not even cute-Asian-style sticker somewhere on my person. There is something about the combination of Jess, parties and cameras that unleashes this crazy sticker frenzy within. “A cheap paper sticker that I found in Reader’s Digest that’s basically an ugly white square with a golden record and the word ‘WIN!’ on it? YES PLEASE!”.
  • I’m holding some sort of food, often multiple foods, a grin of gluttenous delight stretching skeleton-like across my shining cheeks.
  • Ditto but alcohol.
  • My head is at a variety of angles: the old chin-to-neck, the head-to-the-side-like-I-just-want-to-get-as-close-to-my-friend-as-poss, or any other asymetrical configuration.
  • One of my eyes is a shiny demonic pink. Always one. Never two. One.
  • My arm is awkwardly grasped around someone’s neck or shoulder and they look a little bit uncomfortable about the whole thing. I JUST WANT THEM TO LOVE ME, IT’S NOT THAT MUCH TO ASK YOU HEARTLESS DRAGONS.
  • There’s hair in my face or mouth.
  • You can see the painful attempt in my eyes to remember the Essentail Mantra to Produce Good Photos: “JUST LOOK AT THE CAMERA, THINK HAPPY THOUGHTS, AND SAY HI TO IT.

I have photo evidence of each of the above points, if any of my MANY HUNDREDS OF READERS would like a looksy.

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‘Difficulty Swallowing Vitamins’: a free-verse whine.

C and Garlic

Horseradish and marshmallow

So good for me and yet -

I can’t swallow you in one.

I have to cut you in half.

I gag a little and cough and hope no one noticed.

Or I chew

Oh god, I chew

And it’s like chewing horseradish, garlic and marshmallow

It’s the worst thing ever

It’s like death ten times over but you’re not just dying: you’re puking.

It’s a horrid death, the kind that lingers on your tongue, your teeth, and you find yourself roaming Westfield like a weeping, possessed spirit, buying Muffin Break, Tic Tacs, corn nuts, ANYTHING, to wash away this taste of pain, of disgust, of hell.

It’s like all that and it’s all my fault.

….

 I wonder if everyone else is like me.

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My Imaginary Conversation With A Guy I Saw At A Concert Wearing A T-Shirt Which Had An Australian Flag Printed On It and Said ‘Support it of Fuck off’

Jess: Excuse me?

Bogan guy: Hello?

Jess: Hi. Hello. Can I…can I ask you a question?

Bogan guy: I…uh…yeah.

Jess: Where did you get your t-shirt?

Bogan guy: Oh. It’s a present.

Flights of fancy erupt. A golden swan of possibility arches her wings, her motions move from lazy flaps to epic, manic swings. This mofo is going to get my two-cents whether he likes it or not.

Jess: I’d like to discuss something with you for a moment. Is that Ok? Do you mind?

BG: What?

Jess: It’s called Blind Patriotism. Do you know what that mean- - wait a minute. I might be getting ahead of myself. You do seem really drunk and dumb, but I’d better ask…you’re not wearing the shirt ironically are you?

BG: What?

Jess: …..

BG: No. I didn’t have time to iron it. The concert started at 4.00pm. I came straight from work.

Jess: I know, dude, early start hey! And don’t get me started on how difficult it is to iron shirts with screen printing!

BG: Yeah. It so is. Like you have to turn it inside out and turn the heat way down low, like on the silk setting and - -

Jess: You’re an ignorant cunt.

BG: Oh. WHAT?

Jess: Blind patriotism is the refuge of the scoundrel. The opiate of the masses. It’s the reason why humans aren’t encouraged to self-perfect. It’s the reason why people use buzzwords like ‘liaise’ instead of ‘ talk’. The reason why suburbs like Elizabeth Bay exist. You are perpetuating a nation of vague, faceless, beige ROBOTS. You are a scourge on humanity. You make me so fucking sick I want to rip out my hair and shove it down my throat so I can just stop breathing in your air. YOU ROBOT. YOU FACELESS ROBOT CUNT. I’M GOING TO HURT YOU. I WILL CUT YOUR FACE. I WILL EAT YOUR EYES. I WILL — Oooh! This song’s about Dolphins!

 BG: Huh?

 Jess: Excuse me. I’m going to talk to the tall smiley rapey guy and see if he’ll take some birds-eye photos for me.

 AND SCENE.

 One day I’ll get courage like that. And my legions of enemies will never have eyes again.

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Sombre Haikus for Many Occasions

Dangerous neighbourhoods:
Don’t you go to sleep
Without locking the back door
These parts just aren’t safe.

Kidnapping
Why is her light on?
Was somebody else in there?
Oh god - call the cops.

Burglary
The front door’s ajar
They took our damn wedding bands
Our life is ruined.

Redundancy
We need to talk, hon.
A machine does my job now.
Faster than I did.

Divorce
We love you lots bub,
But we don’t love each other.
Why are you crying?

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